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  Shree Mahakaleshwar History  

the shrine from front to back was respectively divided in entrance, ardhamandapa, sanctum, antarala (vestibule) garbhagrha and Pradaksanapatha. Upper components of the temple rested on the strong and well-designed pillars and pilasters. Such temples, according to the contemporary Silpa-sastras contained the images of various god and goddesses, Nava Grahas (Nine planets), Apsaras (celestial damsels), female dancers, anucharas (attendants), Kichakas etc. The sculptural art of the temple had been very classical and multifarious. Besides the Saivite images of Nataraja, Kalyanasundara, Ravananugraha, Gajantaka, Sadasiva, Andhakasura-slayer, Lakulisa etc., the temples were adorned with the images of Ganesa, Paravati, Brahma, Visnu, Surya (Sun-god), Sapta Matrkas (Seven mother-goddesses) etc. These images had been very proportionate, well-decorated, sculpturally perfect and carved according to classical and Puranic texts. The worshipping and the conduct of rituals continued in some way or the other. Prabandha Chintamani, Vividha Tirtha Kalpataru, Prabandha Kosha all composed during 13th-14th c. reveal this fact. Similar mention is made in Vikramacharit and Bhojacharita composed in 15th c. AD. According to the epic Hammira Mahakavya, Hammira, the ruler of Ranathambor worshipped Lord Mahakala while his stay in Ujjain.